Friday, November 2, 2012

“Presently

“Presently, too, I seemed to become aware of another presence, and now you will understand why I desire and must ask that my identity should be suppressed. Naturally enough I do not wish to be mixed up with a superstitious tale which is, on the face of it, impossible and absurd. Yet under all the circumstances I think it right to tell you that I saw, or thought I saw, something gather in the shadow of the central dolmen, or emerge from its rude chamber — I know not which for certain — something bright and glorious which gradually took the form of a woman upon whose forehead burned a star-like fire.
“At any rate the vision or reflection, or whatever it was, startled me so much that I came to a halt under the lee of one of the monoliths, and found myself unable even to call to the distraught man whom I pursued.
“Whilst I stood thus it became clear to me that Mr. Holly also saw something. At least he turned towards the Radiance in the shadow, uttered one cry; a wild, glad cry, and stepped forward; then seemed to fall through it on to his face.
“When I reached the spot the light had vanished, and all I found was Mr. Holly, his arms still outstretched, and the sceptre gripped tightly in his hand, lying quite dead in the shadow of the trilithon.”
The rest of the doctor’s letter need not be quoted as it deals only with certain very improbable explanations of the origin of this figure of light, the details of the removal of Holly’s body, and of how he managed to satisfy the coroner that no inquest was necessary.
The box of which he speaks arrived safely. Of the drawings in it I need say nothing, and of the sistrum or sceptre only a few words. It was fashioned of crystal to the well-known shape of the Crux-ansata , or the emblem of life of the Egyptians; the rod, the cross and the loop combined in one. From side to side of this loop ran golden wires, and on these were strung gems of three colours, glittering diamonds, sea-blue sapphires, and blood-red rubies, while to the fourth wire, that at the top, hung four little golden bells.
When I took hold of it first my arm shook slightly with excitement, and those bells began to sound; a sweet, faint music like to that of chimes heard far away at night in the silence of the sea. I thought too, but perhaps this was fancy, that a thrill passed from the hallowed and beautiful thing into my body.
On the mystery itself, as it is recorded in the manuscript, I make no comment. Of it and its inner significations every reader must form his or her own judgment. One thing alone is clear to me — on the hypothesis that Mr. Holly tells the truth as to what he and Leo Vincey saw and experienced, which I at least believe — that though sundry interpretations of this mystery were advanced by Ayesha and others, none of them are quite satisfactory.
Indeed, like Mr. Holly, I incline to the theory that She, if I may still call her by that name although it is seldom given to her in these pages, put forward some of them, such as the vague Isis-myth, and the wondrous picture-story of the Mountain-fire, as mere veils to hide the truth which it was her purpose to reveal at last in that song she never sang.

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